Jun 21, 2019

"Toy Story 4" could be released for 160-200 million dollars

The fourth installment in Disney-Pixar's Toy Story franchise arrives in theaters this weekend nine years after its Oscar-winning predecessor and nearly a quarter of a century after the original film broke ground in cg animation.

While many were skeptical about another sequel following the neatly wrapped ending of the trilogy, Toy Story 4 has put those trepidations to rest, winning over critics and aiming for infinity and beyond at the box office. After 236 reviews, the movie currently holds a 97% rating on Rotten Tomatoes.

The film series' longevity is such that it will likely attract scores of adults who grew up with the previous chapters, many of whom may be bringing their own children to see the latest one. Few products are as four-quadrant-friendly as Toy Story is, and that could result in a major box office milestone for animated films during opening weekend. Analysts estimate Toy Story 4 will gross somewhere between $160 million and $200 million in the U.S. and Canada from 4,575 screens. If it ends up at the top end of those estimates, it could become the biggest debut ever for an animated feature, beating out last year's record $182.6 million opening for Incredibles 2.

Internationally, it will open day-and-date across 37 territories, about two-thirds of the foreign markets, and could pull in an additional $100 million.

The movie was released on Thursday in Australia, Brazil, South Korea, Russia, Argentina, Bolivia, Chile, Colombia, Croatia, Greece, Hungary, Iceland, Israel, Lebanon, Malaysia, Panama, Paraguay, Peru, Philippines, Singapore, Slovenia, Taiwan, Thailand, Trinidad, Turkey, Ukraine, and Uruguay. It opens today, June 21, in China, Mexico, Spain, U.K., Ecuador, India, Indonesia, South Africa, Venezuela, and Vietnam. Next week Italy and France will be added, while Japan will see it until July 12. Germany will be the last major market to open the movie on August 15.

Originally, Toy Story 4 was to be directed by former Pixar creative chief John Lasseter, but it was eventually handed to animator Josh Cooley to make his feature directorial debut. The directorial switch was made long before Lasseter was forced into a sabbatical at Disney and Pixar for sexual misconduct claims. Over his 15 years at Pixar, Cooley has become a trusted member of the studio's creative team, both as a writer and storyboard artist, and notably co-wrote the screenplay for Pete Docter's Inside Out.

As previously reported on Cartoon Brew, Toy Story 4 was pushed back repeatedly from its original release date in 2017 to 2018, and again, to 2019. Screenwriters Rashida Jones and Will McCormack left the project in a very public split in November 2017, citing “creative and, more importantly, philosophical differences.” And producer Galyn Susman was swapped out for Inside Out producer Jonas Rivera and Inside Out associate producer Mark Nielsen. Peter Docter, Andrew Stanton, and Lee Unkrich executive produced the film.

There are eight writers with a “story by” credit for Toy Story 4, while only Andrew Stanton and Stephany Folsom are noted as the film's screenwriters. Cases of too man cooks in the kitchen have yielded terrible results for Pixar before, like with 2015's The Good Dinosaur, but that doesn't seem to be the case here despite the bumpy road traveled.

Reception has been overwhelmingly positive on the critics' behalf, with many citing the sentient spork Forky, one of the many new characters, as a highlight. Although many expressed they were afraid this sequel could taint the franchise's legacy, they nearly unanimously agreed that Disney-Pixar managed to deliver something at once familiar and inspiredly inventive.

Here are some takes on the film from critics at major publications:

Dana Stevens of Slate felt positive about the fourth film in the franchise, but suggested it might be a good idea for Disney to finally put it to rest:

Writing for Entertainment Weekly, Darren Franich wasn't entirely impressed with the end result, but expressed certainty that it will still become a financial success for the studio:

The Associated Press' Lindsey Bahr praised the narrative risks the screenplay takes while remaining a four-quadrant product:

For Los Angeles Times, Kenneth Turan noted the quality of the film's photorealistic animation and the genuine emotion the story conveys:

Writing for The New York Times, Manohla Dargis likened the animation's textures with the simple joys of childhood:

For The Hollywood Reporter,Todd McCarthy wrote about the talents that collaborated to deliver yet another hit sequel: